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British Romanticism and Continental Influences: Writing in

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Cubism: 'Portrait of Picasso' by Juan Gris, 1912 Expressionism: 'On White II', by Wassily Kandinsky, 1923 Surrealism: 'Indefinite Divisibility', by Yves Tanguy, 1942 Gombrich’s perception of this relationship between art criticism and art history is instructive. The "ultimate" environmental causes then produce the "proximate" causes -- which are cultural: [The] proximate factors behind Europe's rise [are] its development of a merchant class, capitalism, and patent protection for inventions, its failure to develop absolute despots and crushing taxation, and its Graeco-Judeo-Christian tradition of empirical inquiry (p. 410).

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Emily Dickinson: A Collection of Critical Essays

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Blackwood's Edinburgh Magazine 2.12 (March 1818): 613-20. This is a form of metatheory: a view of the status and practice of the literary in general which focuses more on social form than on aesthetic content; it is something akin to a history of ideas traced out within materialist philosophy. It is, instead, that attainment of the upper class through marriage. This view of the interpretive community is a much too monolithic, reductionist view which does not square with what we know by experience. 118 Members of the same "interpretive community" approach a text with "an indefinite number of incompatible, mutually exclusive, conflicting, or different ways of talking that are consistent with our peculiar background assumptions or with the theoretical and practical constraints on our practice," as Battersby has put it. 119 How would new insights be brought into an interpretive community and how would individuals with similar backgrounds ever disagree over textual interpretations?

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Versamelde gedigte

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Lucas suggests, ‘keeps the sense, but loses the metaphor’. Undoubtedly, At the present time we cannot imagine the physics built on the notion of Matter, as did nineteenth-century physics. Carnival - "For Bakhtin, carnival reflected the 'lived life' of medieval and early modern peoples. Olu Oguibe: ‘In the Heart of Darkness' 1993. Thus when the angel Gabriel tells the Virgin to call her son Jesus, the typological meaning is that the era of the law is over, and the assault on the Promised Land is about to begin.

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American Notes and the Years Between (Large Print Edition)

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In Estés there is no return to domestic skills or the winning of the prince by means of the marvelous cloth.] Ewen, Stuart. It is shown more directly in the three-day rhythm of death, disappearance and revival which is found in the myth of Attis and other dying gods, and has been incorporated in our Easter. Text and Culture The Politics of Interpretation An examination of the political aspects of contemporary disciplines of interpretation, which illustrates how interpretation may be turned into a more socially responsible practice.

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I Will Love You: A Collection of Poems

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Globalisation claims appear logical if you see nation states as isolated islands, but that is not the historical reality. Presley, James T. "Bibliography of Utopias and Imaginary Travels and Histories." It is very necessary to have our minds made perfectly clear on this point, and to remove not a little dust of misunderstanding. In the 'ideal world' of market liberalism, no goods or services exist which are not the product of market forces, but all goods or services which are market-responsive do exist.

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Dante's Ten Heavens: A Study Of The Paradiso

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The ‘West’s’ claim to knowledge of the East gave the ‘West’ the power to name, and the power to control. In their novels, the formula was turned upside down. Instrumental knowledge corresponds to technical human interests that are associated with work, labour, or production and with the natural sciences. Text by Marc Aug�, Jenny Holzer, Lawrence Weiner, Ricardo Men�ndez Salm�n, Saskia Sassen, Graciela Speranza, Fatima Velez, Diana Wechsler, Lawrence Weiner, Olivier Zybok. New Humanism: valued the moral qualities of art.

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In the Company of Strangers: Family and Narrative in

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At the same time, the film’s compositions carry subtle appeals and drifting concerns. Louise Bourgeois: Statements from an Interview with Donald Kuspit 1988. A rich example of micro-moves, one atop the other, is provided by the Portuguese director Pedro Costa in his low-budget, black-and-white, début feature, Blood/O Sangue (1989). The new building materials are non-material: electricity, telephony, weather, time, and so forth.

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Texts from the Querelle, 1616-1640: Essential Works for the

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He knows you’re scared.’ Instead, Davis says, ‘Now Ti Bat, don’t stand there with your eyes bulging.’ However, the important thing to note here is the instruction for her to bulge her eyes at this moment (Clements Ripley and Abem Finkel, Screenplay of Jezebel, 25 October 1937, p. 14; copy held at the Howard Gotlieb Archival Research Center, Boston University, Boston, MA). 7. Apter, Emily S. "French Colonial Studies and Postcolonial Theory". Deuteronomy 6:10-12; 8:11-17; 9:9-11; 11:2-7; 24:1-4 ).

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The Fiction of South Asians in North America and the

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In ironic comedy we begin to see that art has also a lower limit in actual life. She, then, extends her argument to show how the frequency of this narrative theme has lead to a perception of these stories and their heroines as a sub-genre of fairytales in which the lack of feminine agency is not questioned. The Romantic poet's mind is normally in a state of pantheistic rapport with nature, and seems curiously invulnerable to the assaults of real evil.

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Poems of Sidney Lanier

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The same kind of interpretation would be equally possible for many passages of Christian poetry dealing with the just wrath of God, the demonic content of which is often a hated father-figure. How could the lie of culture be broken up if the lie of the self made by that culture remained intact?", Wendy Mulford, "The Redstockings Manifesto", p.31 "The empirical 'I' is quietened in the act of attention required to write a poem in the first place. ... The Romans and Greeks wrote much about arms, a good deal about virtue (but not in Dante's Christian sense), and little or nothing about love the way Dante understands it.

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